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Showing posts with label People and Curriculum in Art Education. Show all posts
Showing posts with label People and Curriculum in Art Education. Show all posts

ART 207 - Development of Children's Art

Dr. Sharon Smith
Ayres 123
Office hours:
Email address: SASmith@csuchico.edu

Art for the child is more than just drawing, painting and working with clay. It is a basic processes embodied in conceptualized learning and is a means of creative communication for the child. Many children find learning enhanced through the combining the processes of verbal and auditory presentation with manipulative activity involving the physical, visual and tactile aspects of artistic creation. Within each piece of child art is the "feelings, intellectual abilities, perceptual sensitivities, creative involvement, social development, and aesthetic awareness" of that child. This course will define the developmental stages that are typical for children throughout the pre-school and elementary school years. Involvement with art media and art processes appropriate to the developmental levels we are studying will, we hope, stimulate your awareness of the interactive components of the creative process. Those eight interactive components of creativity are "fluency in thinking, flexibility, originality, elaborate thinking, risk taking, complexity, curiosity, and imagination”. These components are primary to aesthetic growth and artistic production for both the child and the adult. Art, however, is not the same for the adult as it is for the child. Art for the adult focuses upon the product that is created while art for the child (and for the adult artist) most often focuses on the process that leads to the final art product. As adults, we will need to explore the creative process through making art products. The processes that we will go through will help us to better understand the child’s attitudes toward creativity. We will be looking toward the creative process as developing an openness toward "finding the unknown challenges, coming up with many thoughts and ideas, looking for differences and similarities," and," having unique and original thoughts." Finally, we will, through our interactive involvement in the creative process, attempt to enhance our own personal creative attitudes.

Class Format and Text:

This is a lecture/lab class that meets four hours each week. The format is based upon student involvement in the learning experience thus attendance is mandatory for both the lecture and the lab portions of the class. Lectures, slides and demonstrations will occur on either of the class meeting days whenever it is deemed to be most appropriate and would best meet the needs of the curricula. The text for this class will be “Artworks For Elementary Teachers: Developing Artistic and Perceptual Awareness” by Donald and Barbara Herberholz. The text is available at the student bookstore. The lab for this class consists of hands-on participation in the creative process. While it is understood that not all students enrolled in this class have had previous experience in the creative arts process; the student is expected to work to their highest potential. Focus is on both process and product.

Grading:

There will be three Quizzes and a Final Exam. The quizzes will be graded in class and the scores recorded by the teacher. The quizzes will be returned to the student to be held by them until the final exam date. The student will be given the opportunity to use, if desired, the total scores from these quizzes in lieu of taking the final exam. If that choice is selected then all quizzes must be turned in to the instructor. The grade for the Final exam (or the total quiz scores) will be weighted as one half of the final grade. The other half of the final grade will be based on the students’ attendance, the activity level and participation in class assignments and on the presentation of the class activity portfolio. The activity portfolio is an artistically presented compilation of all information and processes / activities experienced in the class. The initial construction of the portfolio will be started in class (completed at home) and will form a visual notebook of the students’ participation in the class. Each individual art products will not be letter-graded but will be part of the graded portfolio. The participation grade will include: attendance, punctuality, being ready with any individualized or specific materials, working throughout the entire lab period, active involvement in group activities (including clean up of individual and common areas, putting away tools and materials). The portfolio will be evaluated ‘in-progress’ at mid-term and as a completed unit at the end of the semester.

Activity Fee and recommended additional equipment

There is a $20.00 in-lieu fee for this class that has been included, if you pre-enrolled, in your fee packet. If you are adding the class you must pay the in-lieu fee within the first two weeks of class. The fee is payable at the cashiers window upstairs in Kendall Hall. The in-lieu fee is used to provide you with the majority of materials needed during the semester. This includes all handouts, computer supplies, paints, papers, clays, glazes, fabrics, glues and other art materials. Each student is required to have a 100 mb. Mac formatted Zip disk to be used to store the digital photographs of their art products. These digital photographs will be taken and processed in class. The digital photographs will become a major portion of the art portfolio.

Many of the art activities experienced in this class may be a bit messy. You may want to bring an apron or an old shirt to protect your clothing. While the materials that we use are all non-toxic some will stain your clothing and hands. You may, occasionally, want to provide yourself with a pair of disposable latex gloves.

ART 207 - Development of Children's Art

ART 207
Development of Children's Art
Section 07

Course Instructor: Nancy Meyer
Meets: Tuesday & Thursday 12:00-1:50 p.m.
Office Hours: M & W 9-10 am
Location: Taylor 201
Phone #: 898-5331
Mail Box: Art Office Ayres 107
E-mail: Nroymeyer@ aol.com
Required Text: Herberholz & Herberholz (2002). Artworks (9th Ed.)
Note: Other handouts will be given. Your text will also be supplemented with many exerts from Creative and Mental Growth by Victor Lowenfeld (eighth edition [out of print] ) that can be accessed either from books on reserve in the CSUC library or on-line through WebCT: Art 207 Development of Children's Art. Information concerning WebCT will be discussed in class. Internet access is required for this course.

COURSE DESCRIPTION:

Art in the lives of children: art and child development; artistic and aesthetic understanding; creative expression; historical and cultural heritage. Class meets two days a week for a total of four hours. The scheduled four hours a week will provide a blending of 2.0 hours discussion and 2.0 hours activity.

Art 207 has been structured to provide the facilitator of children's art with a practical and philosophical bases for designing and teaching developmentally appropriate art curriculum. Lecture, discussion, and art projects will focus upon providing the liberal studies major or elementary teacher with knowledge, skills, and experience with art making in addition to examining the role of visual art in children's lives and the role of the facilitator in nurturing children's creative expression and aesthetic sensitivity.

Topics of study are as follows:
  • National and state guidelines for teaching art in elementary school.
  • The importance of art education and art in children's lives.
  • Different philosophical and theoretical approaches to teaching children art with an emphasis on the developmental perspective.
  • Children's art making: The nature of children's artistic development.
  • Instructional strategies for motivating children's creative self-expression and aesthetic sensitivity.
  • Art education: Discipline specific knowledge, skills, and activity.
  • Integrating art with other subject areas within the elementary school curriculum.
  • Applying art criticism, art history, and art appreciation in understanding artworks.
COURSE OBJECTIVES:

The purpose of this course is to:
1. Understand and apply national and state standards towards elementary art curriculum development.
2. Provide those who might design children's art curriculum with hands-on artistic, creative, and aesthetic experience with art making, criticism, and evaluation in which to gain knowledge, skills, and experience specific to art.
3. Develop an awareness of children's art.
4. Gain a basic understanding and philosophical background toward implementing children's visual art experience.
5. Integrate art with other academic subjects in elementary school.
6. Examine the roll of art history and cultural differences in art education
7. Create a media, materials, and techniques book of well-crafted samples that can be adapted to a variety of elementary levels as a teachers resource.

COURSE CONTENT:

According to Dr. Simmons, "In recent years the field of Art (Visual Art) Education has seen some changes. We have known for a long time that Art is not merely a recreational activity related to studio practice, (the materials and activities approach). Neither is it just a cognitive activity related to art appreciation or criticism, (looking at and talking about art). Art is a valuable tool for the encouragement of development of the mind (using higher order thinking skills), the emotions (expression of significant human experience) and the senses (sensitive awareness of the physical and visual environment).

Regardless of changing trends in art education, there are still some basics that do not change. Parents, teachers and other facilitators must understand the differences among children. They must understand likenesses and differences in children's art within and between stages of development, as well as other aspects of their own growth and development. It is even more important now than in years past, that adults become aware of the importance of visual art (actually all of the arts), art processes and content, and their place in educational programs. It is toward the child's thinking, feeling and perceiving in the context of the Visual Arts that we will direct our inquiry in this course.

This course consists of a series of lectures and readings concerning the philosophy, processes, and content of the Visual Arts. Appropriate experiences (including studio practice) in the areas of artistic perception, creative expression, cultural and historical contexts, and aesthetic valuing will be provided in relation to the growth and development of children. The lab for this class consists of hand-on participation in the creative process. While it is understood that not all students enrolled in this class have had previous experience in the visual arts: the student is expected to try to work at their highest potential."

STUDIO:

There will be many studio projects to complete throughout the semester. Because of the amount of material needed to be covered in class occasionally you may need to complete studio projects on your own time as homework. If this is the case, you may use the classroom when there are no classes present (check the available open hours posted outside the classroom door). Weekends are also a option but, at such times when the classroom (and possibly the building) is locked you will need to use your building access pass and call campus security to let you in the room. Note: Access to the supply room in the back of the classroom will not be open to student use outside our class time, therefore if you need supplies to work at other times make arrangements for supplies with the instructor in advance.

* It is the student's responsibility to clean-up materials and classroom when used during class and open lab hours.

ATTENDANCE:

This course contains a great deal of material that is very difficult to make up, so daily attendance and genuine effort is important. Attendance, preparedness and punctuality are all considered as part of your professional development. More than 2 absences will result in a reduction of your grade (i.e. A to A-) and for every additional absence another half of grade will be deducted. Late arrival/early departures indicate level of commitment to the class and will also affect your grade. Any class behavior, which distracts or undermines an atmosphere conductive to learning - poor attitude, chatting, sleeping, reading newspapers,- will not be tolerated. The instructor reserves the right to regard any student behaving this way as absent for the day.

* No late work will be accepted unless you have missed class due to serious and compelling reasons, then late work may be accepted within a reasonable time frame upon prior approval of the instructor. You are responsible for material covered in class whether or not you were present.

WRITTEN ASSIGNMENTS:

Unless otherwise instructed all written assignments must be submitted in final form, on time, proof read and typed.

A MISCELLANEOUS COURSE FEE:

Of $20.00 is required for use of studio materials and was added to your fee statement when you enrolled for the class.

**I reserve the right to alter the course content and grade points if unforeseen circumstances arise. In which case the class will be promptly notified.


GRADING:

Is in accordance with the university catalog, and based on percentage of points achieved in relation to points available.

The course grade will be based upon 300 points weighted in the following manner:

Assignment Points Possible_______________

Note: Specific assignment requirements will be discussed as they are given throughout the semester.

Materials & techniques book (Note: * below) 150
3 tests 20 + 20 + 20 60
Short homework assignments (5 assignments, 5 pts. each) 25
Art Critique 15
Creativity Lesson Plan 10
1 field study/presentation 40
Total points available 300

GRADE PROFILE

A = 300-285 A- = 284-270
B+ = 269-258 B = 257-254 B- = 253-240
C+ = 239-228 C = 227-224 C- = 223-210
D+ = 209-198 D = 197-194 D- = 193-180
F = 179-000

* Studio work will be graded as part of the materials and techniques book (150 points -listed above) and will be evaluated on the basis of craftsmanship, originality, and demonstrated understanding of the theories of children's artistic development and the issues involved. Going beyond the minimum requirements is the mark of an excellent student, and will be reflected in your grade.

ENJOY LEARNING ABOUT CHILDREN'S ART

ART 91-02 Intro Art Photography

ART 91-02 INTRODUCTION OF ART PHOTOGRAPHY
CLASS SYLLABUS
FALL 2003

COURSE INFORMATION
Class Meets: Mon. & Wed. 2-4:50 P.M.
Classroom: CSUC, Ayres 103
Textbook: Black & White Photography: A Basic Manual, By Henry Horenstein
Mail Box: CSU Chico Art Office - Ayres 107

INSTRUCTOR

Instructor: Nancy Meyer
Phone #: CSU Chico Art Office 898-5331
Office Hours: M & W 9-10 A.M. CSUC Taylor 201
E-mail: Nroy-meyer@aol.com
Final: Mon. 12/15/03, 2-3:50 P.M.

COURSE DESCRIPTION
This course provides students the opportunity to learn and apply skills in the areas of basic 35mm camera use, traditional black & white film processing and black & white printing. In addition, there will be an investigation of new technologies and photography with an introduction to Adobe Photoshop. Creative expression will be emphasized, focusing on personal vision as well as formal qualities of art making, with an approach to photography as a fine art form. Students will utilize their understanding of the course material as they create, critique, observe, and discuss their work as well as others. These activities will provide the student with the knowledge, skills and experience in basic black and white photography as an expressive medium with a unique history and will provide you the prerequisites to take advanced courses in photography.

REQUIREMENTS

ALL STUDENTS ARE REQUIRED TO:

1. Participate in class regularly. You will be responsible for work done in class or
assigned whether or not you are present. Non-participation will be considered an
indication of your lack of commitment to the class and can be reflected in your grade.

2. Satisfactorily complete all class assignments, readings, and projects by date or time
indicated by the instructor. Late work will be accepted with appropriate reduction in
grade. If work is late due to an illness or other unforeseen circumstances, upon
instructor approval, there will be no deduction in grade if turned in according to the
instructor's revised deadline.

3. Become aware of technical, creative, formal, and conceptual elements in photography.
Gain knowledge of photography's historical and contemporary contributions to our
visual environment and the art world.

4. Make the transition from a snap-shot approach to photography, to a fine art approach,
utilizing the skills listed above in #3.

ACTIVITIES

ALL STUDENTS ARE REQUIRED TO:

1. Attend one photography exhibit that is on public display and write a critique of the
exhibit using the critique format provided by the instructor. Anyone of the following
types of institutions is a good source for viewing art: Museums, Galleries, and art
exhibits on school campuses. Other institutions that house artwork go see, but before
writing a critique from such a place, get instructor approval. Critiques on photography
located in private homes, books, or magazines will not be accepted. Critiques written
from memory of photographs seen before this semester will also not be accepted.

2. A minimum of five photo projects. Each photo project will come with an in depth
description of the project and all the requirements for that particular assignment.

3. Photo Technique Samples - Samples of at least 4 different techniques from the list of
photo techniques (included in this syllabus) that will be covered in class through
demos and lecture.

4. There will be some in class assignments based upon class lecture and reading. You will
have handouts describing these assignments as we get to that particular portion of the
class. In addition, there will be some library research on photographers assigned
throughout the semester.

5. Quizzes - you can expect to get a minimum of three comprehension quizzes to check
for your understanding of the reading material and class lectures.

6. There will be 1 hour of directed study per week, which will be library research. Each
photo project requires library research where photography books will be utilized to
locate photographs which pertain to the current assignment.

TOPICS TO BE COVERED

1.) History of Photography
2. ) The Camera
3. ) Operating the Camera
4. ) Exposing Film
5. ) Developing Film
6. ) Working in the Darkroom - Printmaking
7.) Shooting for Composition
8.) Creativity & Awareness
9.) Visual Expression & Conceptual Issues
10.) Working in the Darkroom - More About Printmaking
11.) Dry Mounting Prints and Other Matting Techniques
12.) Alternative Printing Processes such as: Non-silver printing (cyan-o-type) and new
technologies (digital darkroom).
13.) Many Demos in areas such as: Toning, Hand coloring, Solarization etc.

MATERIALS LIST REQUIRED FOR INTRO-ART PHOTOGRAPHY

1.) Manual 35mm camera ideally with a variety of lenses i.e. wide angle (28mm),
telephoto (135mm), & normal lens (50mm)
2.) Film -
Ilford PAN F 50 ASA 36 exposrue
Ilford Delta 125 ASA 36 exposure
Ilford HP5 400 ASA 12, 24, & 36 exposure.
3.) Print Paper -
Ilford Multigrade IV RC Paper, Pearl finish size 8x10, amount 25 sheets (Note: you
will use several packs of this paper (25 sheets each) therefore, you may consider
buying this paper in a 100 sheet box. It is a little less expensive and saves you time
from running back and forth to the camera store.
Ilford Fiber Based Paper, matte finish size 11x14 10 sheets
4.) Negative selves - at least 10 sheets to start with.
5.) Dry mounting tissue at least one 8x10 sheet for RC paper.
6.) Negative Brush.
7.) A tripod is highly recommended, but not mandatory.
8.) Access to a computer with a photoshop program.
9.) As the semester unfolds you may wish to purchase additional supplies after seeing
class demos.

Note: Any student with special needs or considerations is encouraged to speak with the instructor in order to facilitate their circumstances.

Expected cost for each student enrolled in this class varies depending upon the student, amount of work, and interest of different materials. Minimum cost for each student, minus the cost of the camera, could be in the neighborhood of $100. - $200.

ASSESSMENT

Photography projects and accompanying self-critiques are due at the beginning of each and every critique. No project will be accepted without the reflective write at the time it is due. Reflective writes are to be typewritten! Late projects will be graded no higher than a C. The later the project is turned in the lower your chances are of obtaining a C grade. The grading of photographic projects will be based upon technical achievement, creative, thoughtful, and original expression. The grading of all other assignments will be discussed prior to their commencement

NOTE: Consistent participation and being prepared to work every class session is absolutely necessary to the successful completion of this class (refer to enclosed handout regarding attendance procedures). Roll will be taken in the first ten minutes of class. Coming to class without new negatives to develop/print will mean having little to do during lab time. This can be a major problem because class time is to be sent in class not out shooting your film that is to be done for homework! Expect to devote at least six hours per week, every week outside of class, shooting film for your projects. To do well in this class students should be self-motivated, honestly interested in creating meaningful artwork and on time with their assignments. The only trouble students occasionally have in this course begins with the false assumption it can be placed on the "back-burner" of one's semester course-load. This should be an interesting and enjoyable class but it will most likely not be an "easy" class!

Note: If for some unforeseen circumstances, a change in course material, assignments, or points for assignments occur, advanced notice will be given to the class.

GRADING PROFILE

The following is a % breakdown of the value each different requirement weighs when figuring your final grade for this course.

Class participation/attendance = 20%
Photography Projects & Portfolio = 50%
Other assignments, tests, & critique = 30%

GRADE DEFINITION (RUBRICS)

(A) SUPERIOR
The student's work clearly illustrates a mastery of basic photography skills (camera use, film exposure & development), techniques, materials, & formal qualities (principles & elements of design) of composition. The content of the artwork goes well beyond the assignment, and is innovative or evokes questions, or new interpretations. The student is always on time, prepared to work, no missing assignments and does not miss class.

(B) STRONG
The student's work shows a very good understanding of basic photography skills, and the assignment as stated or implied, and employs the most appropriate photo techniques, materials, tools, and art elements and principles of design. The work displays fine craftsmanship and is well reasoned, insightful and includes appropriate visual imagery to support or amplify the point of view. The student is always on time, prepared to work, no missing assignments and rarely misses class.

(C) ADEQUATE
The student's work shows understanding of basic photography skills, and assignment as stated or implied and a general understanding of the appropriate use of techniques, materials, tools, and art elements and principles of design, craftsmanship or point of view. The student is prepared to work, no missing assignments and seldom is late or misses class.

(D) INADEQUATE
The student's work shows incomplete understanding of basic photography skills, and assignment as stated or implied and demonstrates inappropriate use of techniques, materials, tools, and art elements and principles of design. The work displays poor craftsmanship or is incomplete and odes not have enough visual imagery to support point of view. The student is often not prepared to work, missing assignments, occasionally is late to class and absences are excessive.

(F) UNACCEPTABLE
The student's work does not demonstrate understanding of basic photography skills, and the assignment. The work does not contain enough visual evidence to evaluate understanding of techniques, materials, tools, art elements and principles of design, craftsmanship or point of view. The student is frequently not prepared to work, missing assignments, often late to class and class absences are extreme.