Toku's Photos

MasamiToku. Get yours at bighugelabs.com/flickr
Showing posts with label 6th Grade. Show all posts
Showing posts with label 6th Grade. Show all posts

Mother's Day Wampum Beads

Art 207-08, Group 7
Jessica Schulken, Jessica Taber, Crystal Burcham, Michelle Ventura, Nicole Provencher, Becca

Objectives: Students will learn…
  • The historical significance of Mother’s Day and the cultural background of Wampum Beads as they create colorful mother’s day gifts
  • How to make beads out of magazines
  • Diversity in media
  • How to develop fine motor skills
  • Creative expression
  • Knowledge of color theory
Student Materials:
  1. Precut, colorful magazine clippings (preferably ads)
  2. String (floss or yarn)
  3. Elmer’s glue
  4. Scissors
  5. Pencils or toothpicks
Teacher’s Materials:
  1. History of beads
  2. Examples of previous students’ work
  3. Visual procedures
Vocabulary:
  • Color theory
  • Wampum Beads
  • Diversity
Procedure:
  1. Introduce the lesson purpose and historical context
  2. Demonstrate the two varieties of bead making step by step:
    • Cut either squares or triangles from magazines
    • Wrap around a pencil and glue down the edge
    • Let dry for 30 seconds and slide off of the pencil
    • String together to form a necklace or bracelet
  3. Discuss color theme options (cool or warm)
  4. Dismiss students by table to retrieve supplies
  5. Answer any questions, clarifications, and repeat demo if necessary.
  6. Have students share their artwork with the class
Comments/Suggestions:

Make clear to class that this can be a gift for anyone. This is so that children without mothers do not feel singled out or awkward. Suggestions according to sec. 07:

This activity is great because it is easy to clean up and is appropriate for both sexes and many age groups. It allows children the opportunity to chose a variety of different necklace styles to express individuality and the use of magazines shows them that they can create realistic artwork from a variety of medium. Students will enjoy the lesson because it provides them with a hand made and wearable mother’s day gift for their moms. The class also liked the surprise colors that rolling the beads made. Other positive points were the mentioning of the history of Mother’s Day and how it incorporated art into the holiday.

History Context:

Wampum was usually made from the Northern Quahog, a hard-shell clam known to biologists as Mercenaria mercenaria. Beads of quahog shell were used for currency in 17th century New England.it is believed the use of Wampum dates from the fifteenth century. The Iroquois originally obtained Wampum of this form and color by trade and tribute from the "Wampum makers" of Long Island. The Iroquois did not make the beads themselves, and Wampum did not serve as a form of currency among the indigenous Iroquois.

Source: http://www.wampumworks.com/beads2.html

In Ancient Greece the earliest Mother’s Day was celebrated for Rhea, the Mother of the Gods. During the 1600’s, which was about 400 hundred years ago, England celebrated Mother’s Day the 4th Sunday of Lent, they called it “Mothering Sunday” and it honored the mother’s of England. Mother’s Day as we know it today was started in the 1850’s by Anna Reeves Jarvis a teacher and church member from West Virginia who was looking for ways to improve sanitation in her community. She lived during the Civil war and afterwards she supported both sides and looked for a way to bring both sides together. She did this, by devoting her life and consequently her daughter, Anne Jarvis’s life, to the cause. On May 10th, 1908 the first church responded to Anne Jarvis’ requests for a Sunday service for mothers, shortly after 46 states were participating in Mother’s Day services. As time passed, Anne Jarvis became very concerned with the commercialization (to use something to make a profit, money), of Mother’s Day. She thought it was much more important to make this a day of reflection and thanks rather than a day to just buy flowers for your mom.

Source: http://www.hallmark.com

Artistic Development:

Children of this age group fall under the “Gang Age” category of development that is also referred to as the “Dawning Realism.” According to Lowenfeld, the following characteristics are used to describe children who are in this developmental stage: Greater awareness of details, a greater awareness of physical environment, the disappearance of bare line and emergence of the plane, overlapping objects, the beginning of interrelationships between objects, attempts of showing depth through size of objects, less exaggeration and distortion of body parts

3-D Diorama


Art 207-05, Group 4

Objectives:
  • To introduce students to 3-D art.
  • To give students the opportunity to practice folding and cutting paper.
  • To allow students to experiment with spatial layout.
  • To develop skill and confidence with 3-D art.
Student Materials:
  1. Scissors
  2. Glue
  3. Color construction paper (8 1/2"x 11")
Teacher Materials:
  1. Examples of three-dimensional art.
Procedures:
  1. Introduce 3-D art.
  2. Show the students previous examples in order to give them ideas for
  3. their diorama.
  4. Demonstrate folding paper in half.
  5. Demonstrate cutting out shapes.
  6. Demonstrate gluing a 3-D figure of their choice to the diorama.
  7. Have students make their own diorama.
  8. Display the dioramas for review and critique.
Vocabulary:
  • 3 dimension - having or seeming to have depth as well as width and height.
  • Diorama - a miniature scene reproduced in three dimensions against a colored background.
Information you will need to know as a teacher:

Characteristics of artistic development among fifth and sixth graders:

This stage of artistic development is referred to as the realistic stage. Children at this stage want to draw more realistic characters that are less exaggerated and of visual proportion. Exercises in contour drawing can be helpful in showing students how to draw more realistically. Exercises in drawing posed models, such as trees or mounted birds or animals can be a great tool in teaching children about drawing realistic figures. At this stage it is also important to integrate the art activity with other areas of your curriculum such as social studies, language arts, science, and math.

For more ideas and information about the stages of artistic development, refer to Artworks For Elementary Teachers by Donald and Barbara Herberholz.

Wire Sculpture

Art 207-05, Group 1
Brieanna Billett, Jeana Morrison, Jacklyn Hunter, Ashley Fraser

Objectives:
  • Students will learn about the cultural background of wire sculptures.
  • Students will learn about shape and line by bending the wire to form an object.
  • Students will also learn about the element texture in creating their sculpture.
  • Students will learn how to bend and shape wire in order to create a sculpture.
  • Students will learn how to mount their sculptures on cardboard to allow them to stand up.
  • Students will compare the different components of 2-D art to 3-D art.
Student Materials:
  1. Modeling wire
  2. Needle nose pliers
  3. 4”x3” piece of cardboard
Teacher Materials:
  1. Wire cutters
  2. Staple gun and staples
  3. Slides showing examples
  4. Previous students work
  5. Demonstration materials
Vocabulary:
  • Alexander Calder
  • Caribbean Art
  • Wire
  • Sculpture
Procedure:
  1. Introduction: Student will learn about the cultural background of wire sculpturing. Students will discuss the elements of art line, shape, and texture.
  2. Students will watch the teacher demonstration.
  3. Students will be given a piece of wire that is pre-cut.
  4. Students will bend their wire into desired shapes creating the wire sculpture. Examples are: insects, animals, flowers, picture frames, and candle holders.
  5. Teacher will use a staple gun to attach sculpture to cardboard base.
  6. Closure: Teacher will discuss what the students have learned and display the sculptures around the room.
Suggestions and Comments:
  • This project can be done with grades 5th through 12th.
  • If there is more time, the students can decorate their cardboard stands with markers, yarn, feathers, or any other textured material.
Cultural Background:

Wire sculpture that has become popular in North America originated from the Caribbean. Here, the Weekes make wire figurines in which every detail is intended to portray authentic Caribbean life and culture. Now wire sculptures are seen in North America everywhere. The first well-known artist to master the art of wire sculpturing was Alexander Calder. He was born in Pennsylvania as a third generation artist in 1898. After tiring of his engineering job he moved to Paris to study a wide array of artists. He gained a reputation by his performances of his toy wire circus. His wire sculptures isolated a characteristic he wanted to represent.

Resources:

Artful Lesson Plans. “Multimedia Sculptures.”
http://www.uidaho.edu/ed/EDTECH/resources/art-methods/lesson-plans/lesson5.htm

5th & 6th Grade
Realism
  • During this period a single artwork may show a mixture of stages.
  • Children show in their drawings that they perceive that the sky meets the horizon and that objects can overlap and create new spatial effects.
  • Children are insistent about using representational colors.
  • Children pay more attention to detail in their artwork.
  • Children give more action to figures in their drawings.
  • Gradually the baseline disappears and an emergence of the horizon becomes apparent.
  • Children start to draw shadowing and shading in their pictures.
  • Children show depth through diminishing sizes and overlapping.
  • If children are going to continue in their artwork, they need to learn realistic drawing skills or they will be frustrated and they may stop drawing altogether.

Stained Glass Impressionistic Landscape Greeting Card

Art 207-04, Group 6
Michele Edwards, Sarah Glick, Diana Anderson, Kim Carter

OBJECTIVES
  1. Students will learn about the history of stained glass.
  2. Students will learn about the history of Mother’s Day.
  3. Students will learn how to mix three colors with tissue paper.
  4. Students will learn about landscape.
  5. Students will learn about impressionism.
STUDENT MATERIALS
  1. Ruler
  2. Colored tissue paper
  3. Over-head transparencies film ( 8 ½” x 5 ½”)
  4. Glue
  5. 9” x 12” colored construction paper
  6. Pencil
  7. Paint brush
  8. White scratch paper ( 8 ½” x 5 ½”)
  9. Scissors
  10. Tape
TEACHER MATERIAL
  1. Slides of impressionistic artwork.
  2. Slides of stained glass windows.
  3. Student’s artwork.
VOCABULARY
  • Stained glass
  • Impressionism
PROCEDURES
  1. Discuss Impressionism, stained glass and Mother’s Day.
  2. Choose one color of a 9” x 12” construction paper for card.
  3. Fold paper in half, making a 9” x 6 ½” card.
  4. On the topside of card draw a 3/4” border and cut out inside border.
  5. Place sketch paper under border and sketch simple outline of landscape onto paper staying inside your frame.
  6. Remove sketch; cover it with over-head transparencies film and tape to table.
  7. Glue (with gloss medium) tissue paper onto over-head transparencies film filling in completely.
  8. Glue or tape your stained glass piece to back of border (inside card).
  9. Add a greeting to the card.
  10. Share artwork and discuss what the students learned.
Impressionist

The impressionist style of painting is characterized mainly by concentration on the general impression produced by a scene or object and the use of unmixed primary colors and small strokes to simulate actual reflected light.

Impressionism, French Impressionism, a major movement, first in painting and later in music, that developed chiefly in France during the late 19th and early 20th centuries. Impressionist painting comprises the work produced between about 1867 and 1886 by a group of artists who shared a set of related approaches and techniques. The most conspicuous characteristic of
Impressionism was an attempt to accurately and objectively record visual reality in terms of transient effects of light and color. The principal Impressionist painters were Claude Monet, Pierre Auguste Renoir, Camille Pissarro, Alfred Sisley, Berthe Morisot, Armand Guillaumin, and Frédéric Bazille, who worked together, influenced each other, and exhibited together
independently. Edgar Degas and Paul Cézanne also painted in an Impressionist style for a time in the early 1870s. The established painter Édouard Manet, whose work in the 1860s greatly influenced Monet and others of the group, himself adopted the Impressionist approach about 1873.

Math or Science

All of these two-dimensional, flat works create an illusion of three-dimensional depth. Rank them from the composition that appears to be the closest to the viewer (or most shallow) to the composition with the greatest feeling of depth. Look for the ways that each painting depicts depth. For instance, are the colors softer in the background? Did the artist use perspective? Are objects smaller in the background than in the foreground? Do objects in the foreground overlap objects in the background? Although there are no specific right answers, ask the students to hypothesize how many feet of depth each painting illustrates. What clues did the artist provide to support the hypotheses?

Language Arts

Discuss the transparencies with the class. What are their favorite paintings? Why did they choose those? Have the students write an essay from the point of view of a collector or museum director who wants to purchase one of the paintings. Include why they chose the painting and how it will add to their current collections. For instance, a director of a self-portrait museum might want to add the self-portrait by van Gogh to his or her collection.

Social Studies

Have the students stage an art exhibition of their own within the classroom. Send out invitations and design posters to advertise the exhibition. Some students will be traditional artists while others will be experimental artists. Other students will be critics and collectors. The artwork and written exercises that the students create based upon the activities in this packet would be appropriate for the exhibition.
http://www.impressionism.org/

Artistic Development

Students at the age of 8-12 years have a newfound realistic approach to making pictures. By this age they are at Stage 3, the realism years. They pay more attention to body proportion, action of figure, and details of clothing. They begin to think about what they see and how they make their changes dramatically. The geometric symbols they have used to represent the objects they drew no longer are enough. Students begin to show and perceive that the sky meets the horizon and that objects can overlap and create new spatial effects. Closer observation of environment and a gradual disappearance of baseline begin to appear. Shadows and shading may appear. Students begin to use more realistic colors and become more critical of their own work. Students are ready for instruction in how to draw more realistically. As teachers we should provide the students with opportunities.

Mothers Day History

Date: March
Religion: Christian

Also called Mothering Sunday, this festival falls on the 4th Sunday in Lent. It dates back to the Middle Ages, when people in remote villages returned to the main church or mother church, in their parish for a special service.

Celebrations, Children Just Like Me written by Anabel Kaindersley, Published by DK Publishing Inc.

Stained Glass History

Stained Glass has origins dating back to the development of glass making in ancient Egypt in the second century B.C. The Greeks and Romans extensively used mosaics made of pebbles and colored ceramic glass chips. The mosaic art using ceramic glass chips flourished well into the 10th century A.D. Stained glass, as we know it today was first used in European religious panels around the 11th century A.D. However, the craft fell into a period of decline during the "Dark Ages", as did all the arts.

The colored "see through" type of stained glass is still known today as "cathedral" stained glass. This was originally clear glass, which had a colored "stain" applied to it. The "stained" glass was soon developed into a glass which had the stain incorporated into the actual glass by adding metals and minerals to the molten glass resulting in a tinted glass which we know today as "cathedral glass". Stained glass windows were used in European cathedrals from the 1100's. The use of stained glass expanded during the Renaissance period of art revival of the 14th century and the building of grand cathedrals in Europe during the 1400's through the 1700's. During this period, leaded clear glass windows began to be used in some non-church construction, however the use of stained glass outside the church was rare.

Lesson Plan Resources

Impressionistic Stained Glass Mothers Day Cards created by:
Diana Anderson
Michele Edwards
Sarah Glick
Kim Carter

Impressionistic, Math or Science, Language Arts and Social Studies information from:
http://www.impressionism.org/

Mothers Day History information:
Children Just Like Me written by Anabel Kaindersley, Published by DK Publishing Inc.

Stained Glass History information:
http://www.shopsmartxpress.com/AmeriGls/ABhtm

"Soapstone" Relief Sculpture


ART 207-04, Group 2
Ian Fullmer, Jennifer Johnson, Ashleigh Cook, Katie Wilson

Objectives

  • Students will learn what relief sculpture is.
  • Students will gain a better understanding of the history of relief sculptures.
  • Students will practice the relief carving technique.
Student Materials
  1. Soap
  2. Carving Utensils
  3. Newspaper
Teacher Materials
  1. Pictures of historical relief sculptures
  2. Examples of the project
  3. Soap
  4. Carving Utensils
  5. Newspaper
Vocabulary
  • Relief Sculpture
  • High Relief
  • Low Relief
  • Sunken Relief
  • Sculpture in the Round
  • Greek Art
  • Roman Art
Procedure

Introduction
  1. Explain history of relief sculpture using overheads.
  2. Explain what makes this technique unique.
  3. Show previous artwork.
  4. Give a brief demonstration.
  5. Pass out materials.
Creation
  1. Choose the animal or object that you wish to carve.
  2. Lightly carve the outline on the flat side of the soap.
  3. Carve out the animal or object using the appropriate utensils.
Conclusion
  1. Have student who wish to hold up their artwork.
  2. Lead a discussion about what was learned.
References
  • Gardner's Art Through the Ages: The Western Perspective, Volume II, 11th Edition
  • Gardner's Art Through the Middle Ages, Volume I, 11th Edition
  • Herberholz and Herberholz's Artworks for Elementary Teachers: Developing Artistic and Perceptual Awareness, 9th Edition
Group Feedback
  • It would be fun to save the shavings for a bath. If you make a mistake you can just shave it away.
  • It's good how the soap is soft. This would make cheap Christmas presents. It's fun how there are different ways to carve the soap. It's good how the soap is hard.
  • The project was fun and easy. The project was fun and all the examples were nice.
  • The history research was informative.
  • Good project for kids who aren't good at drawing.
  • The historical background was good. The visual aids were nice.
  • It was a cool project. It might be bad if someone was allergic to soap.
Relief Sculpture

“Statues that exist independent of any architectural frame or setting and that viewers can walk around are freestanding sculptures, or sculptures “in the round,” whether the piece was carved or cast. In relief sculptures, the objects project from the background but remain part of it. In high relief sculpture, the images project boldly. In some cases, the relief is so high that not only do the forms cast shadows on the background, but some parts are actually in the round. In low relief, the projection is slight. In a variation of both techniques, sunken relief, the sculptor cuts the design into the surface so that the images highest projecting parts are no higher than the surface itself. Relief sculpture, like sculpture in the round, can be produced either by carving or casting.” -Gardners Art Through the Middle Ages. Vol. 1, 11th Edition.

Reliefs have been a tool to express the ideas and the feelings of cultures, individuals, religion and many aspects of all forms of culture in the world. Since ancient times when cave men carved the beasts which they hunted, (or hunted them), through the Egyptian hieroglyphics, through the mighty friezes of the Pantheon, the Coliseums, and many other Greek and Roman art and architecture; relief has been a most valuable tool of expression, communication, and documentation of cultures and the views of the people in them. In today’s modern era we see artists using the capabilities of the relief to express their views of our culture in many of the same was in which people had done in the past.

Faux Rice Paper Holiday Cards


Art 207-03, Group 4
Amanda Holt, Jessica Gonzalez, Loren Tomschin, and Hattie Gomez

Objectives:
  • The students will learn the history of the uses of rice paper
  • The students will learn to use controlled brush pressure.
  • Students will work within a border that they create.
  • Students will use many materials to create a functional piece of artwork.
Student Materials for Each Card:
  1. 8.5" X 5.5" Piece of Colored Cardstock or Heavy Weight Construction Paper
  2. 10" X 7" Piece of Wax Paper
  3. Pressed Flowers and Leaves (or small flat artificial ones)
  4. White Glue
  5. White Glue Mixed with Water (ratio of approx. 3 to 1 parts)
  6. Medium or Large Sized Paint Brush
  7. Kleenex
  8. Glitter Pens
  9. Ruler
  10. 4 3/8" X 5 3/4" Envelopes (Optional)
  11. litter and/or Confetti Pieces (Optional)
  12. Fancy Pens (Calligraphy, Metallic, etc.) or Rubber-Stamps for Inside Greeting (Optional)
Teacher Materials:
  1. Slides/Examples of works by Artists
  2. Examples of student work
Vocabulary:
  • Deckled Edge
  • Rice Paper
  • Daubing
  • Cropping
Procedures:
  1. Discuss the basic characteristics and historical uses of Rice Paper with the students.
  2. Have the students fold the wax paper in half.
  3. Using the Ruler, have the students' measure and fold back the three raw edges 1".
  4. Open all folds. You now have two large rectangles surrounded by a border.
  5. On right half of the wax paper, create and center a design made of the pressed flowers and optional Confetti Pieces in the rectangle. Use the White Glue to hold them in place.
  6. Place one layer of Kleenex on top of the design and over the remaining surface of the Wax Paper.
  7. Paint the Water/Glue mixture on top of the Kleenex using a type of daubing stroke. Be careful not to tear the Kleenex. Make sure that all of the Kleenex is coated and stuck to the Wax Paper and Flowers. Do not let the Water/Glue mixture pool up too much on the paper.
  8. If desired, at this time you can sprinkle glitter on the surface of the Faux Rice Paper.
  9. Let Dry.
  10. Fold the Cardstock in half.
  11. Write your greeting or message in side the card. Let Dry.
  12. When the Faux Rice Paper is dry use the ruler to crop it. Along one side, fold the paper along the original fold line for the border in step 3. Press the edge hard all along the fold. Then flip the fold over to the other side and press hard along the fold again.
  13. Align the straight edge of the ruler with this fold, and tear off the excess border.
  14. Repeat steps 11 and 12 until the remaining three sides are cropped.
  15. Fold the Faux Rice Paper in half along the fold line from step 2.
  16. Place a few dots of glue along the inside of the fold of the Faux Rice Paper (The inside is the wax paper side.).
  17. Place the Outside fold of the cardstock inside the Faux Rice Paper Fold and center the rice paper on the card.
  18. Decorate the design on the Faux Rice Paper with glitter pens.
  19. Let dry.
  20. Display the students' cards and discuss the different designs.
  21. When the lesson is over give the students the envelopes to put their cards in before they take them home.
Suggestions & Comments:

This project makes a great community service project for the holidays. Have the class make enough cards for a local convalescent home as well as a few extras for themselves and their families. They really like having such a nice finished product.